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From the beginning, Mr. Trump’s admirers have compared him to a paradigmatic outlaw hero, Robin Hood. Mr. Trump may not deserve the comparison — critics of his 2017 tax cut called it a reverse Robin Hood — but myth has a way of overstepping mere fact. Did Jesse James really pay off a widow’s mortgage, then rob the greedy banker who took the cash? For that matter, did Robin Hood really rob the rich and give to the poor? Like Joaquín Murrieta, the 19th-century Mexican laborer working in California who, according to legend, responded to injustice by vowing that he “would live henceforth for revenge,” Mr. Trump has promised to avenge the downtrodden.
Persons: Robin Hood, Sebastian Gorka, Trump, Lauren Boebert, Biden, Robin Hood’s, Prince John, Mr, Jesse James, Joaquín Murrieta, ” Mr, , Trump’s, Bandman Kevo, Donald Trump Organizations: , Republican Locations: Colorado, California
CNN —Gordon Ramsay is a father for the sixth time with his wife of almost 30 years, Tana Ramsay. The celebrity chef posted a trio of photos from the hospital on his verified Instagram account Saturday, revealing the pair had welcomed a son, Jesse James Ramsay. “What an amazing birthday present,” Ramsay, who turned 57 on November 8, wrote in the caption, adding, “please welcome Jesse James Ramsay, 7lbs 10oz whopper! Ramsay and wife Tana have been married since 1996 and are parents to daughters Tilly, Megan and Holly Anna, and sons Jack Scott and Oscar. When Byron answered, Ramsay said, “Byron!
Persons: CNN — Gordon Ramsay, Tana Ramsay, Jesse James Ramsay, ” Ramsay, 7lbs, Ramsay, , , Tana, Tilly, Megan, Holly Anna, Jack Scott, Oscar, , Kelly Clarkson, Megan’s, Byron, Clarkson, FaceTime Byron, “ Byron, It’s Organizations: CNN, ” CNN
CNN —In July, Taylor Swift had a surprise for fans at her “Eras” tour stop in Kansas City. She premiered a new music video for the song “I Can See You,” and invited Joey King and Taylor Lautner, who star in the video, out on stage with her. While King, star of “The Kissing Booth” and “Bullet Train,” is used to fans, she said this was something entirely different. But it was incredible to just have that experience and feel that energy coming at you.”(from left) Presley Cash, Taylor Swift, Joey King and Taylor Lautner speak onstageat The Eras Tour on July 7 in Kansas City, Missouri. While discussing all things Swift, King was sitting in a break room at a local Los Angeles animal shelter, where she has been volunteering as a pet photographer as part of Hill’s Pet Nutrition for their Clear The Shelters campaign.
Persons: CNN —, Taylor Swift, , Joey King, Taylor Lautner, Booth, ” King, , Swift, ’ ”, Presley Cash, John Shearer, you’re, King, Taylor, Steven Piet, Jesse James, Jesse’s, she’s, Piet, “ I’m Organizations: CNN, Nutrition, Locations: Kansas City, Kansas City , Missouri, Los Angeles,
‘Blonde’ Review: More Marilyn Mythologizing
  + stars: | 2022-09-28 | by ( John Anderson | ) www.wsj.com   time to read: +1 min
The public’s endless fascination with Marilyn Monroe might not be exhausted, finally, by “Blonde,” but the viewer will be. At two hours and 47 minutes, Andrew Dominik ’s pseudo-biography is one long slog into sadness and more-than-predictable tragedy, despite a touching portrayal by Ana de Armas and the deliberately artful and often startling filmmaking of Mr. Dominik. If you’re wondering if men are swine, they are, at least according to his adaptation of the Joyce Carol Oates novel. In some ways, Monroe was the human exemplar of the observer effect in physics: When we look at a thing, the thing changes. No one in the history of Hollywood has been looked at more intensely than Monroe.
It’s not a fresh take or a wrong one, but the tone is so self-conscious and surreal as to blunt those insights. Dominik also distastefully deals with Monroe’s lost pregnancies by peeking at the fetus inside her, which becomes symbolic of just how overdone much of the movie is. Still, “Blonde” is almost wholly de Armas’ show, and to the extent it’s worth sitting through at all give her every ounce of credit. Indeed, once you get past admiring de Armas’ immersion into the role, that’s the only itch that “Blonde” seems to know how to scratch. “Blonde” premieres September 16 in select US theaters and September 28 on Netflix.
Netflix will surely get its money’s worth attention-wise thanks in part to its restrictive NC-17 rating, but the film’s merits burn out long before its credits ever roll. It’s not a fresh take or a wrong one, but the tone is so self-conscious and surreal as to blunt those insights. Norma Jeane is eventually transformed into Marilyn Monroe, but even then she consistently speaks of her star persona in the third person, as if the image stands apart and utterly separate from the human being behind it. Still, “Blonde” is almost wholly de Armas’ show, and to the extent it’s worth sitting through at all give her every ounce of credit. Indeed, once you get past admiring de Armas’ immersion into the role, that’s the only itch that “Blonde” seems to know how to scratch.
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